Projections

I pushed my camera to its ISO sensitivity limits, reaching a unifying essential aesthetic visually mimicking a meditative and oneiric experience.

While the sequence of anonymous subjects evokes impressions of alienation and estrangement, it also claims the need of an authentic and unveiling approach to reality and its objects in relation to the projection of our desire.

The photographs compose an ensemble of unstable signifiers: symbols of reminiscence lingering between echoes of premonitory urges, association and dissociation.